Showing posts with label TGIEmovie. Show all posts
Showing posts with label TGIEmovie. Show all posts

The Relevance Of Telling A Simple Story In The Times Of Edgy Content



‘Story telling over the years has changed’

‘We need contemporary stories, edgy stuff (edgy is a synonym for sex / violence)’

‘We need to have a twist at every turn’

‘History is passé - it is over and buried with’

‘True Stories work, but only when dramatised with a liberal dose of fiction’

Some of the most frequently heard observations when you are navigating the maze of creative film writing today. Story tellers today are trying to adapt to the audience as they would to a client, making full use of their imagination and ideas trying to crack the ultimate code for a Story / Script that works. 

But has story telling really changed over the years ?

For the past couple of months I have been fortunate enough to hear the narration of some of the oldest stories that have been told in Sikhism - the rendition of Guru Nanak Dev Ji’s life as narrated by Bhai Bala - Guru Nanak Dev Ji’s disciple to Guru Angad Dev Ji, the same having been written by Bhai Santokh Singh Ji as the ‘Suraj Prakash’.

The narrative as one starts to read or hear the rendition grows on you so much so that one really does not want to stop. There comes a point where one feels close to Guru Nanak (the protagonist) in a way that one should with the character of the story. The sheer imaginative way of putting forth the milieu of characters around Guru Nanak, His discussions with them, the exegesis of his teachings, His travels… the simplicity of it all touches one’s emotional chords irrespective of your religious or political leanings. The narrative success in capturing one’s imagination even after hundreds of years since they were written.

While the narrative of the Ramayan and Mahabharata has long since the source of inspiration for several writers, primarily for the sub text, plots and the plethora of characters that provide the necessary drama and move the story forward to its ultimate ‘big scale climax’ - what remains indelible are the characters whose stories are simply narrated without too much sub text - Vidur, Radha, Ghatotkatch, Dushashan, Ashwathama. These characters had the maximum impact and in fact if I dare say some of them were the turning points in the war .

Similarly the Janam Sakhis of the Sikh Gurus and the biographies of Sufi saints narrated in their simple form get the audience react to their ethos collectively - that in turn leads to debates and discussions - which leads to a change in perception that impacts the society at large - for the good or the bad. And if these stories have been able to do that for hundreds of years then there is no reason why the same strategy of telling a story in its simplest form won’t. Simplicity always works.

Unraveling Indian Air Force's best kept secret - The Great Indian Escape - The story behind the story



Then…  22 January, 2014… 1230 hours
Today… 26 January, 2017… 1700 hours
Journey… 1100 days (approx.) thus far

Life has come a full circle. I am at an airport again and the story has me as excited as I was since the first time I set eyes on it 3 years back. The story of 3 brave Indian Air Force Pilots who escaped from a POW camp in Pakistan post the 1971 war. A story that at first intrigued the film maker in me to prod and probe for more. The story of the Great Indian Escape - खुले आसमान की आेर. And today as we get into the last stage of the post production and subsequently the release our film, our journey has been anything but a miracle.

Miracles - Yes! Over the past 3 years we have witnessed several of them.

It was at the Bangalore Airport when I came across the story. What made it stand out was the fact that apart from it being an escape story, the protagonists were Indian and unlike a criminal trying to break prison, here it was the call of duty and demanded high level of patience and perseverance, coupled with the fact that the IAF pilots were POWs in a Pakistan still coming to terms with their partition and the loss of a war with India. The delay in flight had done good. A couple of hours later by the time I landed in Mumbai, the story had found its way to the heart  and resonated with the adventurous super hero comics that one had read as a child. But there was something missing - I wanted to know more about these real super heroes - what did they look like, how did they behave, their aspirations, their determination - why did they do it the way they did it? How did they think up of all those things? What was it like to be in Pakistan? The questions kept coming, the good part was unlike Batman and Superman these were real people so there was a good chance that if I could find out where they lived, I could attempt to meet them. And so the journey began.

Later in the night I goggled… Surely I would find them. Alas, there was no mention of any of them on the internet, nothing about their great escape (as we would end up calling it later), it was surely the Indian Air Force’s best kept secret. So we kept digging and except for a small blog from a neighbour of Flt Lt Dilip Parulkar, the architect of the escape (I would also later learn that he was now a well decorated Group Capt - Retd.) We immediately emailed the gentleman and asked him to help us connect with Mr Parulkar. A couple of days later we were rewarded with his email id and telephone number. A brief exchange of emails led us to meet him at his home in Pune. Excited, I didn't let go of his hand for several moments, after all this was the first time in my life that I was coming across a real super hero - someone who had done something that we only see and hear of in the movies. A coffee, lunch and a couple hours later, I was a happy kid with an autograph of the super hero. I couldn't hide my excitement any more and proposed that we make a movie out of the story - what kind, I wasn't sure - a commercial, a documentary etc., He laughed out aloud, amused at my enthusiasm he asked - ‘it has been almost 45 years, who would be interested in seeing it’. And I answered ‘every Indian’.
with Group Capt Dilip Parulkar (Retd)
A few days and few more conversations later we ended up in Pune again. This time with a camera and crew. The next five days were exhilarating as we documented and recorded Dilip’s life. What emerged was not only the Escape story but the story of an character who was shaped by the events and several other characters who were a part of it. They were all so real, they had their fears, their fallacies, their baggage yet what underlined their lives was their love for their country, their grit, determination, bravery and imagination - to stick together in face of adversity and come out on top.

with Wg Cdr MS Grewal (Retd)
From bombing a Radar Station near Lahore… To the months of solitary planning in the Rawalpindi POW Camp… Scraping a window with a dinner knife, planning the escape route, concocting a compass and other essentials out of nothing, digging their way through the wall - brick by brick, escaping through the Khyber Pass onto Torkham, the Afghan – Pak Border. We surely were uncovering one of Indian Air Force’s best kept secret - The escape, no not just that - the secret of what IAF Fighter Pilots are made up of.

with Wg Cdr DS Jafa (Retd)
Film Production is a full time job and having spent a good part of the past 20 years editing and directing features / commercials / documentaries for myself and others we were not unaware of what we were getting into. Somewhere in the back of the mind we were reassuring ourselves that  the story was so powerful that we would surely find funding for it, little did we realise then that this would be our foray into the world of Independent film making - which while exciting, comes with it’s own share of challenges. But more on that later.  


Armed with our fifty plus hours of material, several volumes of IAF history, books written on the 1971 war as well as the escape along with sleepless nights spent on the internet researching, the next three months went by - writing, narrating, debating - again and again - not necessarily in that order. It was Dilip, me, my wife Bandna (who would later on also become the Producer of the film), my writing team of close friends Asheesh Kapur (he plays the role of Flt Lt Harish Sinhji in the film) and Nimesh Balaji Shinde (he plays the role of Fg Off Vidyadhar Chati) our friend and critique Praveen Dhankar. It was early 2015. We thought that we had the story penned down. The first few narrations amongst ourselves were nothing less than a trial by fire. Several questions would crop up, some needed to be answered by the other Super heroes of the POW camp.
with Air Cmdr JL 'Bro' Bhargava (Retd)

With Dilip’s help we soon connected with several of them. Wing Commander MS Grewal (Retd) - his narration of the digging and planning was pulsating, Group Capt Tejwant Singh (Retd) - his detailed description of the camp, its surroundings and the general environment shaped our production design , Air Commodore JL Bhargava (Retd) - his interaction gave us an insight into the Pakistani psyche, Wing Commander DS Jafa (Retd) - who was ADC to the Chief of Air Staff - Air Chief Marshal PC Lal at the start of the war and himself an articulate writer and speaker - his understanding  of the war explained the dynamics of the war as well as gave an insight into everything India vs Pakistan, Wing Commander Vidyadhar Chati (Retd) - a loyal member of the escape team, his observations added not only to the story but to the sound design of the film as well, the family of Group Capt Harish Sinhji (Retd) - Kaveri Sinhji, Vikram Sinhji Rana and Vidya Sinhji - let us in to the personal world of Flt Lt Harish Sinhji, sharing the intimate letters of their father as well as the Air Force’s communication with the family during the period. In their collection we found the original POW uniforms that the camp inmates had worn contributing immensely to the costume design of the film. 
with Group Capt Tejwant Singh (Retd)


Several of the questions got answered, their screen characters came to life with their subtle nuances, their way of talking, their thought process and their vast knowledge. The diversity and unity of India sprung alive in the POW camp - in enemy territory - wow! While the first round of scripting had given us a tight screenplay. This second round of research also gave us our dialogue.
with Kaveri Sinhji
Each conversation so real and rooted in the earthiness of the character. I am indeed indebted to the several hours each one of above people spent with us, their eyes would light up when they spoke, the subtle hand waves, their smiles and the heaviness of the voice when narrating a particular sensitive moment added up to all the drama. The story had found its soul. And we had slowly but surely unraveled Indian Air Force’s best kept secret. It was a story that needed to be told. It is my story… your story… our story… India’s story - one that we can all be proud of.
with Wg Cdr Vidyadhar Chati (Retd)






















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